Movie review: Wawa No Cidal

This heartfelt drama illuminates many of the complex issues faced by Taiwan’s Aboriginal communities

Taipei Times
Date: Sep 25, 2015
By: Ho Yi  /  Staff reporter

There is nothing fancy about Wawa No Cidal (太陽的孩子). It tells the straightforward story

Wawa No Cidal features a cast of mostly amateur actors who pull off genuine performances.  Photo courtesy of Activator Marketing

Wawa No Cidal features a cast of mostly amateur actors who pull off genuine performances. Photo courtesy of Activator Marketing

of an Amis woman trying to re-cultivate the farmland in her ancestral village. As simple as the production is, the film is also one of the most genuine and sincere works of filmmaking that have come out this year. Directing duo Cheng Yu-chieh (鄭有傑) and Lekal Sumi turn their lens to an Amis village on Taiwan’s east coast, creating a heartfelt human drama tackling the issues that are very close to the heart of anyone who is concerned with what has happened to the country’s indigenous communities.

The film begins with Panay, played by Amis musician and TV host Ado Kaliting Pacidal, returning home to the Amis community Makutaay in Hualien County. Like most villagers, Panay works in the city, leaving her daughter Nakaw (Dongi Kacaw) and son Sera (Rahic Gulas) in the care of her father, played by village elder Kaco Lekal.

Her father’s recently diagnosed cancer, however, forces Panay to rethink her priorities. She quits her job and moves back to the village to care for her family. But she soon finds out that her home is not what it used to be.     [FULL  STORY]

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