Taiwan’s once-prolific film and television industries have ebbed in recent years, but new business models could help Taiwan compete with Japan and South Korea.
The News Lens
Date: 2018/02/28
By: Matthew Fulco
In late 2001, Taiwanese director Hou Hsiao-hisen’s (侯孝賢) film “Millennium Mambo”

Photo Credit:台北金馬影展執委會
opened in Paris cinemas with great fanfare. MK2, one of France’s top independent film companies, showed the film in its Paris theaters alongside big Hollywood productions such as David Lynch’s “Mulholland Drive” and Wes Anderson’s “The Royal Tenenbaums”.
“Millennium Mambo” is a departure from Hou’s usual historical works, focusing instead on disaffected youth in contemporary Taipei. The plot meanders, as in most of Hou’s films, but exquisite cinematography makes up for it. In the role of adrift nightclub hostess Vicky, Taiwanese actress Shu Qi (舒淇) shines. She’s effervescent, glamorous, even melancholic. Realistic early-2000s nightclub scenes, where the characters shout to be heard over pounding electronic dance music, will resonate with erstwhile Taipei partygoers.
The art-cinema glitterati didn’t mind “Millennium Mambo’s” thin storyline either. The film not only won three prizes – including best cinematography – at Taiwan’s own Golden Horse Awards, it also picked up awards at the Cannes, Chicago, and Flanders film festivals. [FULL STORY]