Art and Entertainment

Lawmaker, musician Freddy Lim honored at British music awards

Focus Taiwan
Date: 2016/06/14
By: Chen Chun-hua and Lilian Wu

Taipei, June 14 (CNA) Freddy Lim (林昶佐), a legislator and lead vocalist of the Taiwanese death-26882865metal band Chthonic, received a Global Metal Award at the Metal Hammer Golden Gods awards in London Monday, Lim’s office said in Taipei Tuesday.

Lim received the award from American Motley Crue rocker Nikki Sixx, who praised Lim’s contributions to music and his devotion to international human rights.

He also described Lim as the first rock star to enter the legislature and the only winner from Asia.

Lim, in his acceptance speech, gave special thanks to the voters in his constituency of Zhongzheng and Wanhua districts in Taipei, who he said have given him the opportunity to change Taiwan’s politics.

He said that Taiwanese not only have to face domestic issues, but also have to face pressure from China, and that young people have to stand up for change.     [FULL  STORY]

Chinese Films Cross Fingers for Distribution Slot in Taiwan

Cross-strait relations don’t only come up in politics, but in the movie industry as well. And in this battle, the Chinese are at a disadvantage in the Taiwanese market.

The News Lens
Date: 2016/06/13

Chinese director Jia Zhangke’s (賈樟柯) latest film, Mountains May Depart (山河故人), failed to secure

Photo Credit : AP/達志影像

Photo Credit : AP/達志影像

a spot in the quota lottery for this year’s list of 10 Chinese films selected for distribution in Taiwan, disappointing many local movie enthusiasts. But don’t lose hope: the film will be screened at a Jia Zhangke movie festival next month.

This situation reflects Taiwan’s unique regulations regarding the distribution and screening of Chinese films.

Each year, 10 Chinese films are selected for distribution in the Taiwanese market though a quota lottery that is open to the public. Forty-five Chinese films applied for the lottery this year; of those, 35 were left out.

In 2014, the Ministry of Culture (MOC) implemented a new policy that directly grants a distributing license to Chinese films that win an award at the Oscars, the Cannes Film Festival, Venice Film Festival, and Berlin Film Festival. Winners in the best drama or best director categories at the Taipei Golden Horse Film Festival can also be distributed without going through the lottery.     [FULL  STORY]

Croatian piano sensation to perform in Taipei

Taiwan News
Date: 2016-06-13
By: Central News Agency

Croatian pianist Maksim Mrvica, who is known for fusing pop and techno sounds with classical music, 107438422will hold a concert in Taipei on Tuesday.

Mrvica will perform a compilation of classical and crossover pieces at the concert at Taipei International Convention Center, the concert’s promoter, New Arts Platform, said Monday.

Among them are theme songs for movies such as “Mission: Impossible,” “The Godfather,” “Pirates of the Caribbean” and “Exodus.”

The pianist will also perform a new rendition of his signature piece, “Flight of the Bumblebee,” as well as classical pieces including Bach’s Aria from Goldberg Variation and Liszt’s Ballade No. 2 in B Minor.     [FULL  STORY]

Gao Xingjian Calling for a New Renaissance or Running Out of Inspiration?

Why you need to know: The Chinese-born winner of the Nobel Prize for Literature seems to want to make a splash in the painting world, but is his latest exhibition in Taipei boosting his image?

The News Lens
Date: 2016/06/09
By: Olivia Yang

The solo exhibition of Gao Xingjian (高行健), the first-Chinese born author to be awarded the Nobel IMG_6519Prize for Literature, opened in Taipei on June 8.

“Calling for a New Renaissance” (呼喚文藝復興) showcases Gao’s work as an author, playwright, painter, photographer, film and stage director, highlighting a new series of Chinese ink paintings, along with three films and other works.

Held at the Asia Art Center, the exhibition is said to be the most comprehensive exhibition of the 76-year-old author’s work in Taiwan to date.

A panel discussion was part of the packed opening reception, with Gao, National Taiwan University professor Hu Yao-heng (胡耀恆) and National Taiwan University of Arts president Chen Chih-cheng (陳志誠) as the main speakers.     [FULL  STORY]

Feature: Bringing More than Taiwan Paper Art to the Louvre

Taiwanese paper artist Hung Hsin-fu mixes art and education, science and mathematics to create a truly memorable experience.

The News Lens
Date: June 6, 2016
By: Olivia Yang

 

Taiwanese paper artist Hung Hsin-fu (洪新富) was invited to this year’s D’Days Festival at the

Photo Credit: Hung Hsin-fu Taiwanese paper artist Hung Hsin-fu mixes art and education, science and mathematics to create a truly memorable experience.

Photo Credit: Hung Hsin-fu
Taiwanese paper artist Hung Hsin-fu mixes art and education, science and mathematics to create a truly memorable experience.

Louvre in France to present his art at the Taiwan Unfolding exhibition, a major paper art showcase in the event.

Hung, who has spent more than 30 years creating and promoting paper art, sat down with The News Lens International to share his 20 years’ experience exhibiting overseas and promoting education through art.

The artist’s first exhibition abroad was in Belgium in 1992. His art has been displayed in multiple countries since, including Hungary and Russia.

Despite having been to many countries, Hung says he never thought that his work would be showcased at the Louvre, adding that the invitation to exhibit at the D’Days Festival was a very encouraging gesture.

Hung spent three months preparing over a hundred pieces to showcase at D’Days, and flew to France last week to assemble all the work himself for the exhibition.

The artist’s time and hard work paid off.     [FULL  STORY]

Taiwanese Sci-Fi Project Nominated for Venture Capital at Korean Film Festival

The News Lens
Date: 2016/06/04,
By: Olivia Yang

A Taiwanese film has been nominated among 238 film projects at the 20th Bucheon

Photo Credit:Sol Robayo@Flickr CC BY 2.0

Photo Credit:Sol Robayo@Flickr CC BY 2.0

International Fantastic Film Festival (BIFAN) for potential post-production support from leading investors in the global film industry.

On May 30, the film project “Love Me or Not” (愛情大數據) was announced as one of the 16 nominees in the 2016 “It Project,” an initiative by the Network of Asian Fantastic Films (NAFF), which is part of the BIFAN Industry Gathering. The sci-fi romance is the only Taiwanese project selected this year.

“In the past, we worked with television stations or film companies through taking cases, but we need to wait passively in this working process,” Shaballe Kao (夏佩爾), producer and screenwriter for the film, told The News Lens International.

For “Love Me or Not,” screenwriter Shaballe Kao and director Monica Kao (烏奴奴), screenwriter and director, developed the film project on their own, starting with the screenplay.

“We hope to attract interested film companies or investors through local and international venture capital projects,” Shaballe Kao says.
Though the project faces disadvantages such as lack of affiliation with a well-known producer or film company, the pair says they enjoyed the freedom of creating their screenplay.     [FULL  STORY]

Golden Bell-winning actor Wang Jui dies at 85

Focus Taiwan
Date: 2016/06/01
By: Wu Wan-ting and Christie Chen

Taipei, June 1 (CNA) Award-winning Taiwanese actor Wang Jui (王瑞) died at the age of 85 in Taipei

Golden Bell-winning actor Wang Jui dies at 85

Golden Bell-winning actor Wang Jui dies at 85

on Wednesday of heart and lung failure.

Wang was hospitalized in May this year because of discomfort. He was later diagnosed with lung cancer.

“My dear godfather, rest in peace,” Wang Chih-cheng (王志錚), deputy director of the Ministry of Culture’s Department of Audiovisual and Music Industry Development, wrote in a Facebook post that day.

Wang Jui, whose birth name was Wang Hsi-jui (王錫瑞), was active as a film and TV actor in Taiwan from the 1970s to the 1990s. Throughout his career, he had won several Golden Bell Awards, Taiwan’s equivalent of the Emmys.     [FULL  STORY]

The Rise of Taiwanese Horror: Corpse Brides and Little Girls in Red

Two recent horror flicks suggest that Taiwanese directors are finally willing to break some longstanding taboos, with promising results

The News Lens
Date: 2016 / 05 / 30
By: Hélène Belaunde

When it comes to the horror genre, Asian movies are legendary. Japan, Thailand, South Korea and

Photo Credit: josef.stuefer@ Flickr CC BY 2.0

Photo Credit: josef.stuefer@ Flickr CC BY 2.0

Hong Kong boast prolific industries and some of the scariest movies of the last decades. Whether it is the 1998 Japanese cult classic Ringu (The Ring), the Korean family drama “Tale of Two Sisters” (2003) or Hong Kong’s spine-chilling ghost film “The Eye” (2002), Asian movies usually hold a special place in the hearts of horror movie fans. They are known for their distinct, heavy atmosphere and minimalist setting, as well as the singular appearance of ghosts — usually white figures with flowing black hair — who have returned with a vengeance.

Compared to its neighbors, Taiwan’s horror movies are both scarce and relatively unknown. You will seldom find one on the lists of best Asian horror movies periodically released by sites like horror-extreme.com. Not only that, they are not considered to be particularly scary. As one report on Asian horror movies stated, Taiwanese thrillers ”aren’t scary at all (…) they have mediocre make-up and special effects.”

Nevertheless, a few exceptions have managed to fly under the radar.

“Double vision” (雙瞳, 2002), “The Heirloom” (宅變, 2005), “Silk” (詭絲, 2006), for example, didn’t fare very well with critics, but they were a success at the box-office and praised for incorporating Taiwanese folklore and Chinese mythology. In a less traditional vein, let us not forget the gory “Invitation Only” (絕命派對, 2009), which was dubbed Taiwan’s “first-ever slasher horror.”     [FULL  STORY]

Inauguration event artwork unveiled

‘A MULTIFACETED TAIWAN’:Art director Lee Liang-jen said he is hoping to demonstrate the energy of the land and the vitality of the people through his artwork

Taipei Times
Date: May 09, 2016
By: Stacy Hsu / Staff reporter, with CNA

With less than two weeks to go until the May 20 inauguration of president-elect Tsai Ing-wen (蔡英

From left, technical director Austin Wang, stage designer Tseng Su-ming and art director Lee Liang-jen display souvenir towels featuring maps of Taiwan at Democratic Progressive Party headquarters in Taipei yesterday. Photo: CNA

From left, technical director Austin Wang, stage designer Tseng Su-ming and art director Lee Liang-jen display souvenir towels featuring maps of Taiwan at Democratic Progressive Party headquarters in Taipei yesterday. Photo: CNA

文), the event’s planning and preparation committee yesterday unveiled the design concepts for the ceremony’s outdoor main stage in front of the Presidential Office Building.

The main stage was designed by a four-person team: stage designer Tseng Su-ming (曾蘇銘), technical director Austin Wang (王孟超), illustrator Kuan Yueh-shu (官月淑) and art director Lee Liang-jen (李良仁), who was the creator of a 10m-tall sculpture that featured in the New Power Party’s (NPP) campaign rally ahead of the Jan. 16 legislative elections.

The team was assembled by committee executive director Lee Yung-feng (李永豐), who is also executive officer of the Paper Windmill Cultural Foundation.

“The design for the main stage’s structures was drawn from a Taiwanese religious ceremony called Jian Jiao (建醮), which features the erecting of an altar to pray to the gods to ensure that the nation is prosperous and the people are at peace,” Tseng told a news conference in Taipei yesterday morning.    [FULL  STORY]

All that Showbiz Glitz Ain’t Glamor

Eye On Taiwan
Date: May 5, 2016
By: David Wang, Special to Eye On Taiwan

Televised news in Taiwan, as is the case in the USA, regularly portrays as idols and even puts on a pedestal showbiz personalities to make them seem holier-than-thou and worthy of worship, admiration, especially among the star-crazy.

But it is also well-known in Taiwanese journalism that laziness and perfunctoriness tend to rule the day, where superficial reporting and even fabrication, speculation based on rumors and myths are published and aired.

But this seasoned female Taiwanese reporter proved to be an exception on a TV talk show aired May 3, 2016 in Taipei.

Not only deflating the larger-than-life persona of Taiwanese entertainers who venture into China to seek greener pastures, she recounted how she, one of the earlier Taiwanese paparazzi, tried to track down a big time star in Taiwan who had gone to China, where the showbiz market brims of massive potential, to have her own presumptions turned upside down.

After staking her spot on a movie lot, she waited hours on end without seeing this major star, whom she described as having killer looks. Undeterred, she held her ground and much later in the day caught sight of this Taiwanese celebrity, who was being hauled unconscious to the room of a big wig in the production.

She was not acting but being used as a drinking partner for the movers and shakers in the business. Even after passing out from binging, she would not be spared but carried to the next stop [supposedly to continue her duty as a toy], said the senior reporter.

She could not bear publishing the story due to its pathetic, degrading nature.

The reporter told of another incident involving a Taiwanese film crew in China that drew the greedy attention of a local gang, who spuriously accused the crew of having damaged a prop sofa as an excuse for extortion. After being paid off in a unacceptably meager sum, the gang set about nailing shut all the windows and doors of the set to lock in the film crew. The local police who were called said that the Taiwanese crew should have been paid more generously. The incident eventually made shooting the film impossible to force the crew to abandon the project.

Stories of the casting couch in showbiz abound, which is further confirmed by this Taiwanese reporter’s exposé.

However Taiwan-sympathizers should not feel indignant after reading the above to think such incident is nationality-relevant.

I personally know of this attractive Taiwan-born woman who, at the behest of mom, was told to quit further education after high school in Canada in the 1970s. With family well-connected in Taiwan, this young woman was virtually handed over to a Taiwanese TV executive as a toy, the price of admission to stardom.